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June 30th, 2009

   

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Saudi Arabia: Michael Jackson v. Elvis Presley

When Saudi blogger and journalist Yasser Al Ghaslan heard about Michael Jackson's death, he immediately remembered the day he heard that Elvis Presley had died.

He writes:

عندما مات ألفس بريسلي و هو الملقب بملك الروك إند رول في عام ١٩٧٧ كنت حينها لم أتجاوز سن السادسة، في تلك الليلة الصيفية من شهر أغسطس كنت أجلس بين والداي في بيت جدي في إيطاليا حيث كنا نقضي الإجازة الصيفية و قد كنا نتفرج على التلفاز و هم ينقلون للمشاهدين خبر وفاته مع مشاهد للمعجبين ينتحبون لفراق ذلك الفنان الذي شغل العالم بفنه الموسيقي و رقصاته اللولبية و كريزماه الشخصية التي جعلت منه معشوق الفتيات و ملهم الفتيان.
When Elvis Presley, known as the King of Rock ’n’ Roll, died in 1977 I was no more than six. On that summer night in August I was sitting between my parents in my grandfather’s house in Italy where we were spending the summer holiday. We were watching television; it was delivering to viewers the news of his death, with scenes of fans wailing at the departure of the artist, who had engaged the world with his music and gyrating dancing, and personal charisma that made him adored by girls and an inspiration for boys.
يوم الخميس الماضي تلقيت في حدود الساعة الثانية عشر ليلا إتصال من أحد الأحبة يبلغني فيه بأن ملك البوب مايكل جاكسون قد مات و هو على بعد أيام من الإحتفال بعيد ميلاده الواحد و الخمسين، فقد نقل أحد المواقع الإلكترونية و أكد الخبر في حين لم توكده بعد السي إن إن، و بعد مرور ربع ساعة تقريبا تأكد الخبر في الوقت الذي كنت أتلقى فيه تهاني الأصدقاء و الأحبة على دخول اليوم الجديد و الذي أكملت فيه سن الثامنة و الثلاثين.
Last Thursday, at around midnight I received a call from one of my friends telling me that the King of Pop Michael Jackson had died, and one website confirmed the news even before CNN had. After approximately a quarter of an hour the news was confirmed at the same time that I was receiving congratulations from friends and loved ones at the start of a new day, on which I reached the age of thirty-eight.
بين موت ألفس بريسلي و موت مايكل جاكسون ٣٢ سنة تقريبا ولدت و ترعرعت بينهما أجيال و أجيال و تغيرت عوالم و تبدلت أذواق و تحللت و تحلحلت أخلاق لأمم و شعوب من هنا و من هناك … فبالرغم من أني كنت كما كان الكثيرون من أبناء جيلي معجب بأغاني مايكل جاكسون و بالنمط الذي أدخله على ثقافتنا المتمردة إلا أن موته بالنسبة لي كان كمن ينظر لمشهد من ذاكرة الزمان، فألفس و مايكل … كانا ملوكا لمدارس فنيه لها أتباعها و كلاهما ماتا و هما في ريعان الشباب و كلاهما لاحقته لعنات المعجبين و المنتهزين و كلاهما ماتا و لا زال هناك من يقول بأن الموت لم يلحقهم فهم أحياء بيننا بفنهم و عظمتهم، و لكني أقول أنهما ماتا كمن يموت أي إنسان و لم يبقي خلفه إلا عمله و ذكريات من عاصروه بمن فيهم ذكرى ذلك الطفل الذي جلس بين والديه و ذلك الرجل الذي كان ينتظر تهاني عيد ميلاده الثامن و الثلاثين.
Between the death of Elvis Presley and that of Michael Jackson were about 32 years. I was born and grew up between them. There were generations and generations, the world changed, tastes altered, the morals of nations and peoples from here and there dissolved and disappeared. … Despite the fact that I, like many of my generation, was a fan of Michael Jackson’s songs and of the example he introduced of a rebellious culture, for me his death was nevertheless like witnessing a scene from a long gone memory. Elvis and Michael…were kings of their respective schools of music, each with their followers, and both died in their prime, and both were followed by the curse of fans and opportunists. Both of them died, and there have still been those who say that death has not touched them and that they still live amongst us with their music and greatness. However, I say that they died just as anyone dies, and left nothing behind except their work and the memories of their contemporaries, including the memory belonging to that child sitting between his parents and that man waiting for the wishes for his thirty-eighth birthday.
المفارقة التي ربما لها و ربما ليس لها معنى أن مايكل جاكسون تزوج إبنت ألفس بريسلي في عمل إعتبره الكثيرون أنه من أجل العلاقات العامة و من أجل خلق صوت مدوي في الإعلام الفني الغربي، فسبحان الله كيف تلتقي الأقدار على أكثر من خط.
Perhaps ironically – and there is no meaning to it – Michael Jackson married Elvis Presley’s daughter. Many considered it to be for public relations and to create a loud noise in the Western music media. It’s amazing that their fates met in more than one way.

South Africa: To vuvuzela or not to vuvuzela?

Discussions about the popular instrument called the vuvuzela blown by South African football fans have dominated the blogosphere since the beginning of Confederations Cup 2009 in South Africa, which ended last week. Journalists, TV viewers, coaches and some foreign players called for a ban of the instrument during the 2010 World Cup in South Africa. The debate is as loud as the instrument itself. There is even an online petition to ban the instrument. FIFA has allowed vuvuzelas during the World Cup 2010 arguing that it is part of an authentic South African football culture.

This is Wikipedia description of the vuvuzela:

a blowing horn, approximately one metre in length, commonly blown by fans at football matches in South Africa. The origin of the name is disputed. It may originate from the Zulu for “making noise,” from the “vuvu” sound it makes, or from township slang related to the word for “shower.”

Opinions in the blogosphere are deeply divided. Some bloggers are completely outraged by the sound produced by vuvuzelas while others call for tolerance and understanding. One blogger goes as far as claiming that the instrument spreads HIV!

Dave Taylor describes vuvuzelas as “the traditional instruments of football mayhem.”

To Chris of World Cup blog, the vuvuzela is “that giant swarm of insects…”:

That giant swarm of insects you’ve been hearing at every Confederations Cup game is not, in fact, one of the Biblical Plagues migrating south. It’s actually called a vuvuzela…

Capitals Kremlin considers the vuvuzela the most annoying noisemaker:

Ladies and gentlemen, Caps Kremlin is pleased to present to you: the world's most annoying noisemaker, the vuvuzela.

There is one long description of the vuvuzela from 24.com:

…take a sport from England called football, take a snort of glitter-eyed powder-nosed marketing gnomes, a large liquor conglomerate wanting to increase market share, add a white guy called Van Schalkwyk with a take-the-gap mentality and a plastics factory and what do you get? The vuvuzela.

Pitch Invasion calls the vuvuzela “Satan's instrument.”

Welcome to plastic Africa:

You then follow it up with a barrage of press releases about the kudu horn being used in ancient times to summon villagers to meetings, Christian cults claiming it as part of their sacred rituals and we get stuck with football games that can only be watched on TV with the mute button firmly on. And if you don’t like it, you must be at best a racist or at worst one of those guys who when he hears the word “culture” reaches for his gun.

Welcome to plastic Africa. And rue an opportunity missed.

From the Foreign Policy blog, “The World Cup's biggest concern is a trumpet,”

Five years ago, when South Africa won the right to host the 2010 World Cup, many were concerned whether the country had the infrastructure to host the huge tournament. With one year to go, though, most observers agree that the country will be pass that test. Instead, the biggest complaints have centered on an instrument called the vuvuzela.

ReasonCheck wonders, “…if these heathen brutes could be introduced to the joys of producing actual musical notes from their hellish plastic pipes”:

If you’ve caught any of the games on TV, you would have heard a continuous droning sound, like a perpetually embittered swarm of hornets. But you really have to be there to appreciate the full horror of the cacophony. I took my son to a game a few nights ago and have been suffering from headaches ever since, and am sleeping fitfully.

I then got to thinking that if these heathen brutes could be introduced to the joys of producing actual musical notes from their hellish plastic pipes there might just be a shift in Zeitgeist amongst them and they might seek to actually make music.

Pitch Invasion looks at the history of noisemaking in world football starting with the first popular noisemaker in Britain, the wooden rattle:

The first popular noisemaker in football — and one that made a sound to make even a vuvuzela wince — was the wooden rattle in Britain.
Writing in the Guardian, Simon Burnton hoped that “perhaps South Africa can learn from the loud wooden rattles that soundtracked British football in the post-war era – and fell out of favour when everyone realised just how annoying they were. I can only hope that one day soon a similar fate will befall the vuvuzelas.”
Yet it was a shift in the entire base of fan culture, rather than a simple realisation that rattles were annoying, that removed the rattle from the terraces.
Though a fairly recent instrument at South African football games, some trace the roots to African tradition. “The ancestor of the vuvuzela is said to be the kudu horn - ixilongo in isiXhosa, mhalamhala in Tshivenda - blown to summon African villagers to meetings.”
It seems to have been in 1992 that the vuvuzela was first used at South African football matches, by supporters of AmaZulu F.C.. Supporters made the horns out of discarded tin cans, and the use spread wildly, to the joy of many and the irritation of some: South African writer Jon Qwelane wrote in 2007 that “Nowadays, there is an instrument from hell, called the vuvuzela, which has largely formed my decision to abandon all live games and rather watch on TV, with the sound totally muted.”
In the 2000s, with South Africa’s World Cup bid on the horizon, the vuvuzela became a mass produced commercialised phenomenon as the result of a grant given by SAB Miller (the giant South African brewer) to Neil van Schalkwyk’s company Masincedane Sport in 2001, who began to mass produce a cheap plastic version.

SA Sucks disputes the “history” of the vuvuzela as “the ridiculous lie being spread via Wikipedia”:

Incredibly, the ridiculous lie is now being spread via Wikipedia (thanks Karooboy for pointing out) that the origin of the Vuvuzela is actually based on a “Kudu horn” that the blacks used to blow. I almost died laughing at this pathetic fiction but suppose its to be expected - the truth that these destructive beasts ripped them from trains in orgies of vandalism is obviously too politically incorrect to swallow. A bit further down this article is an image of a yellow horn-shaped vuvuzela - I got this image from one of the hundreds of spam emails which landed up in my mailbox, urging me to order 10 000 of these pieces of shit, with my corporate logo stuck on them. The horn shape is extremely unusual but as with the Wikipedia article, to be expected as PR companies do their best to bury the real history behind it.

According to SA Sucks there is nothing authentic African about the vuvuzela:

One of the things I love most about the politicians that run this fair dominion is how, at their discretion, they can make up their own history as they go along. The vuvuzela is one such example.
Those arguing for the vuvuzela maintain that it is part of the great South African soccer culture and that not allowing it would truly be an injustice. Bullshit. They’ve been around less than ten years. It was only when some bastard called “Neil van Schalkwyk, the co-owner of Masincedane Sport, which manufactures the plastic vuvuzela, won the SAB KickStart Award in 2001, which is an SAB-run project that assists entrepreneurs by providing grants and mentorship during the start-up phase of business.” that the vuvuzela really started making an impact.

Dave Taylor found the noise from the vuvuzela annoying and distracting:

A half-dozen fans having one of these, or even a lot of fans who blow on them to celebrate a goal or terrific defensively play is one thing, but as those of us that watched the FIFA Confederations Cup learned, the practice in South Africa seems to be to keep a continuous drone of vuvuzela going throughout the match.
And we’re not talking about twenty or thirty people in the stadium, we’re talking about hundreds, if not thousands, of locals keeping a deafening racket during the entire match.

I found the constant clamor to be most distracting and annoying, and it even got in the way of being able to hear the crowd reaction to terrific plays or bad calls by referees both.

Language Log notes that vuvuzela “is woth 23 scrabble points even before bonuses — or would be, if it were added to the official word list.”

Mark Gleeson at Reuters blog thinks that in the end money will talk louder than any vuvuzela. He says that the debate around the vuvuzela has become “almost a neo-colonial conflict”:

The debate around the vuvuzela was always going to generate big noise but for some South African commentators it has become almost a neo-colonial conflict.
The noisy trumpet, which dominates the sound waves around the stadiums during the Confederations Cup, has got a lot of people covering their ears.
Complaints from TV viewers across Europe have been vociferous enough for the future of the plastic pest to become the major item on the agenda at the series of press conferences FIFA president Sepp Blatter has held during the tournament in South Africa.
At the end the day, it is the big TV money that talks. If the world’s broadcasters feel the cacophony of vuvuzelas detracts from the viewing pleasure of their public, FIFA will be forced to back down and ban the trumpets from the 2010 World Cup stadiums.
It won’t have anything to do with any ‘ism, just cold hard cash.

Bob of the unofficial blog of DC United does not understand the vuvuzela haters:

I personally don't understand the vuvuzela haters. I guess some people have no ability to filter out these quiet buzzing sounds from the ubiquitous noisemakers in the stands during the Confederations Cup matches. Apparently, they are called vuvuzelas. I want one.

From the very first seconds of the very first Confederations Cup match that I watched this year, New Zealand v Spain, I thought, “what is that interesting sound?” and then promptly filtered it out. In a similar way, when I lived in Rosslyn, under the flight path of the planes approaching National Airport, the noisy planes bothered me for about a week. Then I didn't hear it anymore.

Anyone who has been to a live soccer match knows that it is an event of experiences. There is the game itself, but there are songs, Roman Candles, smoke bombs, drums, horns. Oh yeah, and drunk supporters too.

Some of his readers disagree. One of them hates “the damn thing” because it destroys the game atmosphere:

I'm one of the haters, and I can't comprehend someone who actually enjoys watching soccer on TV liking them. I hate the damn things. But it's not because they're loud and annoying. Lots of things — hell, lots of people — are loud and annoying, even (especially) at soccer matches. It's not because they're loud and annoying. It's because they absolutely, completely, utterly destroy the game-related atmosphere at the matches. Destroy it.

Another reader says, “it's insane”:

*You* may have some wonderful ability to push it into your mental background, but for most of us, it's insane. The sound is *not* “atmospheric”, it is *not* a minor part of the viewing experience, and it is *not* acceptable.

Setumo writes about the vuvuzela and intolerance:

For the record, we do not blow the vuvuzela because we are Africans. We blow the vuvuzela because we get an adrenalin rush from the creative noise it makes. Also, we get an adrenalin rush because we are human. Not because we are Africans!
Now that we have moved away from the racial stereotype, it becomes easier to clear the noise. Subsequently, we could agree in unison that this is a matter of like, dislike and intolerance.

One of Setumo's readers argues that World Cup is not and “African” thing:

So the Vuvu is an African thing?? The FIFA 2010 fiasco is not an “African” thing .. it is an international thing. The fact is that SA is only hosting the tourno, and trying hard to get as many international visitors to SA next year. So, have a bit of understanding that most non-Africans find the V-noise irritating in the extreme. I doubt that many non-African countries aspire to be anything like “African”, given the general mayhem, murder, & mis-Government that exists in this sick Continent.

Another reader likes the sound so much and would even buy vuvuzela ringtone!:

@mcOlly - As a Texan, I would totally buy that ringtone.
All this uproar over the vuvuzela is silly. If it doesn’t sound nice on TV, then the broadcasters should turn the stadium mics down. I just learned of the vuvuzela by watching the Confederations Cup, and it makes me want to go to the WC even more.

Shine2010 thinks that vuvuzelas will teach the world tolerance and respect:

…maybe an encounter with a few thousand vuvuzelas will force the world, and soccer, to actually adopt some of the ideals – tolerance, respect, etc. – that it constantly preaches.

Robyn has become a vuvuzela addict:

I first tried to blow a vuvuzela two weeks ago, at the start of the Confederations Cup which has been held in South Africa ahead of next year’s World Cup. I failed miserably. I blew and I blew and nothing happened, just a few insipid little parps. But at the Brazil vs. Italy game, I got the hang of the vuvuzela and quickly joined the crowd in a jaunty one-note tune. Baaaah! Baaah! Baaah!
It is a sound so irritating and so obnoxious that it’s best to stick with the maxim “if you can’t beat ‘em, join em.” Not blowing a vuvuzela at a South African football game not only makes you feel a bit left out but it also makes you resent the noise everyone else it making.

I Luv SA has a piece of advice for vuvuzela haters, “Suck it up”:
Me, I'd say to Fifa, you bought the spiel to host the cup in South Africa, you get to eat up the whole enchilada which includes the main ingredient, the vuvuzela. It's like telling English fans to shut the irritating background drone they call singing. Suck it up.

“Critics are saying they are too noisy. I say so what?,” writes Ash on South Africa Football Fans blog:

That is the purpose of the Vuvuzela after all. It is there to get the atmosphere buzzzzing. This is Africa and we are renowned for dancing and singing and generally creating a great vibe at our football matches.
It’s all part of the uniquely South African experience and I’m certain that if our foreign visitors attend the games and experience the electrifying atmosphere they will fall in love with the Vuvuzela.

To me asking the local supporters to leave their Vuvuzela’s at home would be like asking the Liverpool fans not to sing You'll Never Walk Alone, or asking the Brazilian fans not to create the Samba atmosphere at their matches.

“What happened to dancing and singing and costumes?,” one reader asks and adds, “Don't let your only contribution to the world be an almost universally annoying one! “:

If that is the only culture South Africa has to share, that is pretty bad. Whatever happened to dancing and singing and costumes? Seems to work for other countries just fine. Don't let your only contribution to the world be an almost universally annoying one! 
It's a question of hospitality too. Blasting noise in our ears is just plain rude. I for one am turning the sound off. I feel sorry for anyone travelling to SA to watch the games. They have no choice in the matter.

Another reader compares the vuvuzela sound to “an annoying swarm of bees buzzing around your head…”:

The argument the blogger is making about comparing Liverpool songs and Brazil's samba atmosphere borders on retarded. I would certainly ask a Liverpool fan to stop if they just screamed one note of YWNWA in my ear for an hour and a half. There is a big difference between an annoying swarm of bees buzzing around your head a samba dance.

“You won't be watching your local teams or players,” another reader responds:

How is South Africa telling the world that they are football visitors? Visitors to the country yes. Visitors to football? Don't make me laugh. This is not South African football next year. It's world football in South Africa. You won't be watching your local teams or players.

Anders tells us that vuvuzela haters are the people who were watching the games on TV:

The vuvuzela outcry is mainly coming from those, like my friend, who are watching the tournament abroad. In the stadium, the fans love them. It's one of those things you bemoan until you actually are able to try it: think laser pointer. On TV the horns conflict with the commentary, among other things, but in the ground the ambient noise is part of the atmosphere. It is undoubtedly less abrasive in person than it is via satellite.

The real vuvuzela war, we are told, is not on the Internet but in the Netherlands:

There is a real Vuvuzela war threat in the Netherlands. The company SoccerID reported Monday to import the controversial South African horn to Europe. Within three to four weeks the first Vuvuzela's should be for sale in the Netherlands. NoLimitation however, claims to have exclusive distribution rights for the Vuvuzela.

NoLimitation BV acquired the exclusive rights to the Vuvuzela and use of the name through Urbas Kehrberg GmbH, the German company which claims to have the rights to all EU countries. This means that, according NoLimitation, they are the only company in the Netherlands with the right to sell the three-piece horn under the name Vuvuzela.

Chris of World Cup blog agrees that the vuvuzela is “quintessentially South African” but…

Problem is, it’s also quintessentially obnoxious. If you’ve watched even 30 seconds of a Confederations Cup, you’ve surely noticed the all-enveloping buzzing sound - and chances are those horns are the reason you only watched 30 seconds.
it’s just one long 90 minute droning sound. To the point you begin to wonder when the B-list horror movie is going to break out before your eyes. I’ve personally begun watching the games on mute - what with the combination of ESPN’s commentary team and the vuvuzela capable of being substituted for lethal injection and all.

Phobian suggests that the vuvuzela be allowed when South Africa plays:

The World Cup is for everyone, not just the Vuvuzela blowers. Maybe they should only be allowed at games where SA plays. The other soccer teams playing should also have some say in whether there should be Vuvuzelas or not at their games.

SA Sucks takes the vuvuzela debate to a totally new ground by arguing that apart from the possibility of damaging one's hearing, the instrument might spread HIV/AIDS!

SA Sucks writes, “Apparently Sipho would empty the vuvuzela every often by swinging it wildly, splattering strings of HIV-positive / TB (& God knows what other nasty diseases) gob all over the hapless person behind, in front of and next to him.”:

Medical experts are issuing warnings that the noise from a vuvuzela can permanently damage a person’s hearing, but that’s never mind the HIV/ AIDS dangers of this thing.
From last week’s Confederations Cup matches, spectators were blasted from all directions by the earth-shattering noise of the vuvuzela. In addition to the health hazards of ringing ears and thundering headaches, a by-product of mindlessly blowing on this instrument is the accumulation of a huge amount of saliva. Apparently Sipho would empty the vuvuzela every often by swinging it wildly, splattering strings of HIV-positive / TB (& God knows what other nasty diseases) gob all over the hapless person behind, in front of and next to him.

The vuvuzela is a symbol of everything that is wrong with the “Sub-Saharan Africoon”:

Personally, I love it! If anything is going to bring the World Cup 2010 down, and become a symbol of everything that is wrong with the sub-Saharan Africoon, it will be the damned vuvuzela. Just think how the filth, squalor, violent ape-like behaviour and deafening racket this thing produces will be beamed into 500 million White Western homes, for all the world to see.

SA Sucks warns World Cup visitors to prepare for an anthropological “baptism of fire.” The blogger experienced himself “three hours of hell on earth”:

But on Sunday I was subjected to more than three hours of this hell on earth.I vowed, then and there, that after that first (and only) evening of the authentic South African soccer experience, I would never ever allow myself to be subjected to it again. There were many things amiss that left me disappointed and angry that evening, but none so offensive to my senses as the Vuvuzela.

“If FIFA were to ban the vuvuzela then they may as well scrap the rotation policy of the World Cup and just stage it every year in Europe at times that suit the Europeans and with a European atmosphere at the stadia,” writes Visual Guidance:

Of course, there has to be something to moan about though. No complaints from the people at the stadium. They love it. No, it is the sofa slobs thousands of miles away, slouched in front of their TV and whining that the noise is giving them a headache. Boo hoo. Answer me this – are the horns any more annoying than the Ultras with mega-phones at partisan stadia across the peninsula or the England Band droning out ‘The Great Escape’ constantly at Wembley?
This tournament is being played in Africa. This is what they do at football games in their country, it’s their football culture. If FIFA were to ban the vuvuzela then they may as well scrap the rotation policy of the World Cup and just stage it every year in Europe at times that suit the Europeans and with a European atmosphere at the stadia.

Garreth finds the vuvuzela's noise awful and horrifying but feels that the global football community needs to explore new footballing cultures:

Even though the noise is awful (horrifying really) I’m inclined to agree with the SAFA on this one. As much as the World Cup is about football it is also about the global football community and exploring new footballing cultures. If I’m starting to sound a bit like a hippy here I’m sorry, but it generally is the way I feel.

The vuvuzela sound is annoying and that is why walls of Jericho fell!:

The sound is annoying! That’s why the walls of Jericho fell! The people of Jericho broke the walls down on themselves to escape the blaring! Death was the sweeter option. Now, as for those South African fans, they are ALL LUNGS! Don’t they realize the commotion they’re creating? I’m fully aware that it is the country’s soccer culture, but it has to be done away with! Nobody will buy a ticket to have some guy blow the crap out of a vuvuzela throughout the match!

Cape Town Daily Photo does not think the noise was all that bad:

I’ve never been a fan of the vuvuzela (that long plastic trumpet that South African supporters blow at soccer matches), but to be honest, it really wasn’t so bad. They weren’t too loud and I have to say that they did add to the atmosphere significantly. They are an integral part of South African soccer culture and it just wouldn’t be the same without them.

Getting ready for World Cup 2010?:

Buy ear plugs from a music store - you’ll still be able to enjoy the atmosphere, even if you find a vuvuzela positioned right next to your ear.

If you are a fan of vuvuzela, you can visit Blow Me website to blow the virtual vuvuzela.

Iran: Protest movement inspires artPhotos postVideo post

Iranian and non-Iranian citizens continue to create online works of art to support Iranians who protest against the June 12 presidential election results in Iran.

Last week, we published more examples of how ‘art meets protest'.

Tim Raines, an American artist created a design expressing solidarity with Iranian protesters.

free_iran2

Hamed Pourabedin's design refers to the death of Iranian protesters in the last two weeks. He suggests that killing protesters only makes the movement stronger.

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Iranian blogger Elika Hedayat shares her art work on her personal Facebook page:

elika

Also by Elika Hedayat is this design. The words in Persian spell out one of the protesters' slogans: “Don't be afraid we are all together”

elika21

Nikoo shares an original design of his friend Patrick:

iran_12

An Iranian artist plays the piano and sings as a tribute to Neda Agha Soltan, a young girl who was shot and killed during a post-election demonstration in Tehran on June 20. This video has been watched by more than 36,900 visitors:

See Global Voices special coverage page on the Iranian Elections 2009.

Argentina: Kirchner Handed Defeat in Congressional Elections

The parliamentary elections held on Sunday, June 28 across Argentina have left a negative balance for the government of President Cristina Fernández de Kirchner. In the Chamber of Deputies, for example, the party's representation fell from 115 members to 94 members. In the Senate, it lost 4 representatives and was left with 31. After recognizing the defeat, Kirchner's husband, Néstor, resigned from the head of the Justicialist Party (Peronist).

Photo by Jorge Gobbi

Photo of voting station by Jorge Gobbi

In the province of Buenos Aires, the most heavily populated in the country, the Union PRO, an alliance between Peronist dissidents and the PRO party, came out ahead. This alliance is led by Mauricio Macri, who is the current mayor of the city of Buenos Aires, and is considered to be more right-leaning than the positions of Kirchner. In the city of Buenos Aires, the PRO party won was expected, but with a smaller margin of votes that had been predicted. The surprise came with the good showing from the center-left candidate and film director, Fernando “Pino” Solanas, a Peronist critic of the government's policies. He received 24% of the votes versus 31% from the PRO, while the Civic Coalition of Elisa Carrió finished in third place. The government's party was defeated in many of the other most heavily populated provinces, such as Córdoba, Santa Fe and Mendoza. However, it achieved victory in 12 other districts.

These elections were characterized by new ways of coverage. The most interesting was the extensive use of Twitter by many of the media outlets, as well as by users. Using the hashtag #urna2009 (ballot box 2009), there was information published from polling places and there was extensive coverage of the tabulation of votes. The hashtag was used by various media outlets, such as La Nación [es] and Perfil [es]. These two media outlets also published the updates from their journalists via CoverItLive. There were also other sites, such as Stream.Zauber [es], that tried innovative interfaces to present the information, using a combination of Twitter, Facebook, video taken from Ustream and newspaper RSS feeds.

Photo of the closure of the Kirchner campaign by Mariano Pernicone and used under a Creative Commons license: http://www.flickr.com/photos/pernicleto/3663297215/

Photo of the closure of the Kirchner campaign by Mariano Pernicone and used under a Creative Commons license: http://www.flickr.com/photos/pernicleto/3663297215/

In the blogs, there were many highlighted posts. In center-left blogs that support the government, Alejandro of La Barbaerie [es] analyzes the election's winners and losers and writes that “the most important thing is not to win, rather to make the other lose.” Diego F. of Mundo Perverso [es] also writes about the defeat as a “source of legitimacy,” but also writes that there might be some temptation to write about the things that the government did wrong, but rather the things that it did right during their administration should be what is written. Artepolítica [es] writes about what the defeat on 6/29 means for those that have been supporters of this government:

3. Nos deja el esqueleto, la base, la plataforma, de lo que debe ser un modelo económico para la indepencia económica, la sobernia política y la justicia social. Nos deja la convicción que otro país es posible.

En el 2001 nadie tenía la más puta idea de cómo reencauzar el crecimiento económico. Y donde dice “nadie” incluímos principalmente a nosotros. Hoy sabemos por dónde ir, sabemos cuales fueron los huecos, sabemos cuales fueron los errores.

4. Nos deja mejor organizados, nos deja encontrados, nos deja con un enorme futuro por delante.

3. It leaves us with the structure, the foundation, the platform, for what should be an economic model for economic independence, political sovereignty, and social justice. It leaves us with the conviction that another country is possible.

In 2001, no one had the faintest idea how to re-channel economic growth. When we say “no one,” we also principally include ourselves. Today, we know where to go, we know where were the holes, we know what were the mistakes.

4. It leaves us with better organization, it leaves us discovered, it leaves us with a grand future ahead of us.

In blogs critical of the government, Martín Varsavsky, an Argentine businessman based in Spain, analyzes the elections in his entry “Liberals vs. Socialists in Argentina [es].” In PapBlog [es], Fernando Arocena compiles a top ten of interesting links and noteworthy news. Walter Bove of FunkBlogJob [es] writes about a “crushing defeat for Kirchnerism”

Por otra parte, lamentablemente, a partir de pasado mañana van a empezar a aparecer en el tapete todos los graves problemas que tiene nuestro país, la mayoría de ellos por la imprevisión, por la falta de políticas, y la absoluta inoperancia del matrimonio gobernante. La gripe A, la desocupación, la caída de actividad económica, la inseguridad, la incertidumbre social, y fundamentalmente, como frutilla van a empezar a tomar estado público algunos casos de corrupción y de malos manejos de gobierno que por ahora se venían disimulando por parte del Gobierno K.

Unfortunately, starting the day after tomorrow, all of the serious problems in our country will start to be put on the table, the majority of the problems due to the lack of foresight, to the lack of policies and the absolute inability of the governing marriage. The AH1N1 flu, unemployment, the decrease in economic activity, the insecurity, the social uncertainty, and fundamentally, as a bonus, they will start to pursue some cases of corruption and poor government management that until now, that the K(irchner) government had been hiding.

Like previous legislative elections, many of the winners were in good positions for the elections of 2011, such as Macri and Carlos Reutemann, senator-elect in Santa Fe. Many will be watching the next moves by the Kirchner government now that it appears to be weakened in Parliament. However, they still have more than 2 more years for the completion of their term.