| Malagasy: | Madagasikara : Tatitra avy ayy an-kodahoda... |
Ethan writes about reporting from remote parts of Africa :”How do we get stories from places like Ilakaka, remote locations in Africa with no permanent press presence? Historically, we’d have to wait for something bad to happen - a mining disaster, an outbreak of disease. I see the photos in the Globe as evidence of what might be a healthier form of storytelling - a picture of a place that’s fascinating, whether or not it’s especially “newsworthy” today. The gembloggers are an interesting complement to this sort of reporting.
Glenna Gordon interviews Paul Sika from Ivory Coast about his work: “I first came across Paul Sika's photos on the blog Africa is a Country and was immediately transfixed by how he transformed scenes that seemed so familiar to me into something brilliantly technicolor and radiant. I emailed him last week and asked a few questions and he was kind enough to fill me in with a little bit of information about his work for Context Africa.”
Sci-Cultura writes about African film: “Anyone who’s read the recent posts on this blog will know that I am enthralled, intrigued and besotted by the use of film as a medium to convey stories. This year has been good for raising the awareness of Kenya in the world of film. This time, not just as a location for big shot movies like Out of Africa, The Constant Gardener, etc., but more importantly for Kenyan creativity and talent in making films.”
AFWMNCIN discusses the evolution of Senegalese women in the film industry: “Throughout the 1970s and 1980s Safi Faye was the lone woman filmmaker in Senegal. New faces were visible in the 1990s with the emergence of Adrienne Diop, Mariam Kane Selly, Rokhaya Diop, Aissaou Laba Touré and Kady Sylla; all producing documentaries about aspects of Senegalese life and culture. Safi Faye’s strikingly beautiful Mossane is among the works produced during this dynamic and energetic decade.”
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