The blogger at Postre Literario [es] writes about this focus, “To talk with Ciro Alegría is to feel the pride in the indigenism that we have in our blood and that makes us different, unique, grand because of our history.”

Perhaps, Alegria's best-known work is Broad and Alien is the World (1941), which according to the La República newspaper, is “brilliant from the beginning. The novel Broad and Alien is the World takes place in a mountainous community in Northern Peru, troubled by the resistance of its residents and its wise mayor troubled by the plundering by the political bosses, the Holocaust, and the emigration by the victims.” The novel was awarded the Grand Prize for Continental Novel in 1941. The blog Desafío Perú [es] summarizes the work:

la aldea de Rumi, auténtica protagonista de la novela, cuya vida se describe maravillosamente, es objeto de la codicia del terrateniente blanco; destruida, sus habitantes se dispersan: unos mueren, otros son reducidos a esclavos o marchan a las grandes ciudades. El mundo es ancho y ajeno es así un gran cuadro épico de las luchas de una arquetípica comunidad indígena contra los tres poderes que quieren destruirla: la oligarquía terrateniente, el Ejército y el Gobierno al servicio de los intereses estadounidenses.

Gonzalo Espino of the blog La Alforja de Chuque [es] writes the following in an analysis of the book:

Un aspecto descuidado por la crítica es la singularidad de lo maravilloso -lo mágico maravilloso- que aparece a lo largo de la novela. Se trata de pasajes que resultan extremadamente sospechosos, por que cuestionan nuestro esquema de realidad, y aun siéndolo, los ubicamos como aspectos extremadamente ficcionales. Pongo, aquí solamente dos casos: el de la comunidad Muncha allí donde no hay agua, pero sin embargo una joven tiene “macetas de claveles” que crea esa sensualidad olfativa en medio de la sequedad o el otro caso, es el diablo que atraviesa los andes y que en el relato sabemos que es el Mágico.

Eduardo Jiménez of the blog El Observador [es] takes stock of his writing and notes that his other works did not reach the level than his most famous book:

siempre me pregunté porqué llegó Alegría a un silencio casi total luego de la publicación de El mundo es ancho y ajeno. Siguió escribiendo, sí, y publicando uno que otro libro desperdigado en el tiempo, pero sin llegar jamás a esa cúspide que significó El mundo… Sólo queda la especulación para dar una respuesta. Posiblemente sintió que ya había llegado a su límite, a ese non plus ultra que los escritores de verdad reconocen en su fuero interno y ser conciente que lo publicado después no estaría a la misma altura. Con El mundo es ancho y ajeno terminado y publicado, su pathos ya estaba agotado, salvo que hubiese repetido fórmulas, lo que un escritor auténtico jamás haría.

Alegría spent a large part of his life in exile in Chile, the United States, Puerto Rico, and Cuba. As a member of the APRA political party, he was also jailed twice. It was here where he developed ideas for his novels. Writer Eduardo González Viaña tells an anecdote in his blog El Correo de Salem [es]:

Cuando lo conocí, varias décadas más tarde, Alegría me contó que allí, entre sueños y en medio de las cuatro paredes carcelarias, había visto a Rosendo Maqui y a los diversos personajes de su épica novela “El mundo es ancho y ajeno”. “Me moría de ganas de salir de allí para escribirla”.-me dijo. A Ciro le fue conmutada la pena de muerte por una prisión que padeció algunos años para luego exiliarse en Chile.

There were several events honoring the life and works of Alegría, such as a ceremony at the San Marcos Cultural Center on November 4, according to the blog La Torre de las Paradojas [es]. In addition, in the city of Cajamarca, the IV Gathering of Peruvian Storytellers “Ciro Alegría.” More information can be found on the event's blog [es].

Spanish blogger Rosa Jiménez Cano, who works at the Spanish news daily El País, reported that she received the following SMS text meessage from Yoaní around 2am Madrid time:

Fui detenida junto a Orlando L. Pardo y Claudia Cadelo nos llevaron a la fuerza estilo siciliano. Golpes. Nos dejaron tirados en una esquina.

The morning after the events, Yoaní posted the following account on her blog:

Cerca de la calle 23 y justo en la rotonda de la Avenida de los Presidente, fue que vimos llegar en un auto negro –de fabricación china– a tres fornidos desconocidos: ‘Yoani, móntate en el auto' me dijo uno mientras me aguantaba fuertemente por la muñeca. Los otros dos rodeaban a Claudia Cadelo, Orlando Luís Pardo Lazo y una amiga que nos acompañaba a una marcha contra la violencia. Ironías de la vida, fue una tarde cargada de golpes, gritos y malas palabras la que debió transcurrir como una jornada de paz y concordia.  Los mismos ‘agresores' llamaron a una patrulla que se llevó a mis otras dos acompañantes, Orlando y yo estábamos condenados al auto de matrícula amarilla, al pavoroso terreno de la ilegalidad y la impunidad del Armagedón.

Me negué a subir al brillante Geely y exigimos nos mostraran una identificación o una orden judicial para llevarnos. Claro que no enseñaron ningún papel que probara la legitimidad de nuestro arresto. Los curiosos se agolpaban alrededor y yo gritaba ‘Auxilio, estos hombres nos quieren secuestrar', pero ellos pararon a los que querían intervenir con un grito que revelaba todo el trasfondo ideológico de la operación: ‘No se metan, estos son unos contrarrevolucionarios'. Ante nuestra resistencia verbal, tomaron el teléfono y dijeron a alguien que debió ser su jefe: ‘¿Qué hacemos? No quieren subir al auto'. Imagino que del otro lado la respuesta fue tajante, porque después vino una andanada de golpes, empujones, me cargaron con la cabeza hacia abajo e intentaron colarme en el carro. Me aguanté de la puerta… golpes en los nudillos… alcancé a quitarle un papel que uno de ellos llevaba en el bolsillo y me lo metí en la boca. Otra andanada de golpes para que les devolviera el documento.

Yoaní's post goes on to describe further brutality inflicted on herself and Orlando, and their eventual release:

Nos dejaron tirados y adoloridos en una calle de la Timba, una mujer se acercó ‘¿Qué les ha pasado?'… ‘Un secuestro', atiné a decir. Lloramos abrazados en medio de la acera, pensaba en Teo, por Dios cómo voy a explicarle todos estos morados. Cómo voy a decirle que vive en un país donde ocurre esto, cómo voy a mirarlo y contarle que a su madre, por escribir un blog y poner sus opiniones en kilobytes, la han violentado en plena calle. Cómo describirle la cara despótica de quienes nos montaron a la fuerza en aquel auto, el disfrute que se les notaba al pegarnos, al levantar mi saya y arrastrarme semidesnuda hasta el auto.

At the time of writing, Yoaní's post had attracted 1,412 comments.

Claudia also quickly entered her version of the incident on her blog:

We refused to get in the car, there were three of them and they threatened us:

‘Get in the car, now.'
‘Let us see your documents, or bring a policeman.'

Orlando had his cell phone in his hand. ‘Pardo, don’t record,' said the one in the orange shirt, and I got my cell out. Nobody noticed me, I sent the first Tweet… In less than three minutes a patrol car came up with a couple of cops—a woman and a man—completely dumbstruck by the scene. The carried out their orders almost in slow motion, the woman told me:

‘Don’t resist.'

‘They are undocumented,' it occurred to me to enlighten her.

Yoani was clinging to a bush, I was clinging to her waist, and the woman was pulling me by the leg. They had already dragged Orlando off, outside my field of vision. A man at the bus-stop looked on with an expression of terror, people didn’t say a single word. The officer, very young, got me in an armlock that immobilized me. I could have kicked a little but I was too astonished at seeing Yoani’s legs sticking out the rear window of the State Security car.

Her post goes on to relate the chain of events in great detail, but she ends on a triumphant note:

Then the first call came, with a 00 international prefix, and I knew nothing had been in vain, even if we had all been arrested and the march suspended. When, later, I saw the video that Ciro brought me, I knew for certain: They lost; it's the countdown.

Commenting on the incident, diaspora blogger Uncommon Sense expresses some surprise, since “those of us overseas who presume that because Yoani, Claudia and the others are so well known, the Castro dictatorship would never dare arrest them.” Yet arrest them they reportedly did. He continues:

Of course, we should never be surprised at what the regime does when it comes to trying to silence its opposition on the island.

And we should never underestimate the importance of the protection we provide every time we read one of their blogs. Obviously, it doesn't provide them absolute immunity, but it is conceivable that someone like Yoani Sanchez would have a long ago been locked away in the Castro gulag were it not for the fact that she is so well known.

What you provide them with each click is the moral support vital for their continuing struggle for freedom.

Meanwhile, Babalu Blog, after publishing the story as breaking news, kept updating the post as more details became available, including an 8:15 am entry showing evidence of physical abuse via a photo that was sent to Penultimos Dias by Orlando Luis Pardo.  Cuban American Pundits‘ John R. learned of Yoani's detention from Babalu and goes on to comment:

It can only be said that the Cuba Governement is afraid, and that these heirs to Cuba's future are extremely brave.

The blog also searched mainstream media sites to determine how big the story was and was disappointed to learn that “the only thing CNN is covering on Cuba is how Miller Beer and Haagen Dazs ice cream may be sold in Cuba — for a premium nonetheless. As Cuban citizens are sequestered and beaten for their exercising of free speech, Chicago food (and other companies) are negotiating how beer and ice cream are to be sold on the island.” (CNN eventually went on to cover the story of the bloggers' seizure.)  The post goes on to comment on the U.S. economic embargo against the island, saying:

For those who claim that a new era has dawned on Cuba should take a close look at the incident that happened with a peaceful group of Cuban bloggers. Nothing has changed. Oppression remains in the cities while luxury and freedom exudes in the resorts.

I don't know about you, but I'm no longer eating Hagen Dazs ice cream nor drinking Miller beer.

Oswaldo Payá of the Movimiento Cristiano Liberación issued a statement expressing solidarity with Sánchez and other victims of repression. My big, fat Cuban family is also standing in solidarity with her Cuban sisters:

I have the supreme luxury of writing about anything that excites or amuses me at any given time. And I do.

Today I want to make you aware if you're not already, of a group of dissident bloggers presently under fire for blogging in Cuba.

Unlike me, they write about the everyday indignities of living in castro's gulag. You understand, of course, that in a communist country, dissension is not just discouraged, it is oftentimes attacked.

Yet these brave bloggers persist…Tonight, Yoani Sanchez and a group of dissidents were picked up, harassed, detained and beaten as they prepared to attend, ironically, a demonstration against the use of violence.

They knew and called her by name and forced her into a car where she figured that this was a kidnapping  which would end in her execution. Although she and her dissident companions were beaten severely they were subsequently released.

Her safety lies here. On blogs like mine.

Along the Malecon gives some background to the incident and firmly believes that “the legend of Yoani Sanchez grew Friday after Cuban authorities snatched her off the street, shoved her into a car and roughed her up before freeing her”:

Luis Eligio, of the counterculture group OMNI-Zona Franca, and two rappers organized the march. On Oct. 20, Sanchez was one of more than 10 bloggers who staged a ‘virtual protest' using Tweets, cell phone text messages and blog posts to call for the release of political prisoners. All this puts the socialist government in a tough spot. The more force authorities use, the easier it will be for opposition activists to recruit followers. These incidents also help galvanize international support for Sanchez and other bloggers. This support grows at an exponential rate, colonizing cyberspace and making it difficult for the Cuban government to effectively counter.

In a separate post, the blogger highlights the views of those who are a tad sceptical about the whole event, one of whom is Cuban journalist Vladia Rubio Jiménez, who writes in her blog:

Francamente, me resulta bien oscuro el asunto. ¿A partir de ahora seremos testigos de “espontáneas” marchas de protesta? ¿Contra qué violencia estaban pronunciándose esos muchachos con sus abstractos carteles? ¿Sería contra la que está ocurriendo en Afganistán, Honduras,  o contra lo acontecido en la más importante base militar norteamericana donde un enloquecido disparó y dejó muertas a 13 personas y varios heridos?

She continues:

Por lo que leo, parece haber sido una manifestación organizada sobre todo a través de algunos blogs, entre ellos Octavo Cerco; y también me asombra ver las posibilidades tecnológicas de que disponen: teléfonos celulares, rápidas conexiones a Internet que incluso les permiten subir los videos… En ninguna parte dice con claridad quién convocó esa marcha.

Yohandry's Weblog echoes her sceptisicm:

Pero bien, Claudia Cadelo dejó este vídeo en su blog. No comprendo cómo pueden subir sus videos a Youtube tan rápido, pero allí está. Ella misma por Twitter dijo que no había llegado hasta el performance, además de que explicó que estaba detenida.

Cómo pudo hacer Twitter detenida, cómo subió el video desde un carro de la policía?

Entra en acción Yoani Sánchez. Ahora bien, Yoani Sánchez cuenta a las siempre listas agencias y emisoras que tienen la misión de cubrir sus actividades lo ocurrido con ella y otros bloggers que se encaminaban al performance, quizás con el objetivo de provocar, nadie sabe.

Les dejo la grabación, ¡esos medios tan ágiles al servicio de Yoani! Adelanto que cuenta que ella tiene celular, computadora y seguirá haciendo Twitter, cosa que no acabo de comprender, cuando ella misma dice que no tiene libertad para trabajar en Cuba.

Y yo esperaré ahora la otra versión de lo ocurrido. Como dice el dicho, siempre hay un ojo que te ve.

Social media users are certainly keeping a close eye on developments.  Even as Claudia tweeted about the incident, apparently while it was happening - “Estoy detenidaabout 22 hours ago from txt” was her first entry - her Twitter followers have shown their support, with one user calling her “muy valiente” (”very brave”).

Photo of a child in a Soto exhibit by Alé and used under a Creative Commons license.

According to the art experts, Soto's art is inseparable from the viewer, who is an active participant of the artist’s piece. The illusion and the senses are completed by the perceptions of the mind as a result of observing, touching, and becoming part of the piece. Venezuelan bloggers and the online community in general, celebrate his art through articles, reviews, and videos taken in museums and inside the works themselves, while explaining the meaning of Soto’s works in their culture, landscape and daily life.

In his blog Literanova [es], Eduardo Casanova goes a bit deeper on Soto’s life and gives an insight of the history of the city he was born:

Jesús Rafael Soto nació en Venezuela, en 1923, en una población cargada de historia: Ciudad Bolívar, donde se instituyó la prensa escrita y se fraguó la creación de la llamada Gran Colombia (…) Era una población aislada, sin museos ni actividades del arte. El mismo ha dicho que aprendió solo el arte de la pintura. Deja su ciudad natal y viaja a Maracaibo, en el occidente del país, para encargarse de la dirección de una escuela de artes plásticas. En 1950 se va a París y allí comienza su carrera de artista creador de nuevas formas.

Photo of Soto Sphere in Caracas by Guillermo Ramos Flamerich under a GNU Free Documentation License

The YouTube channel of VenezuelaTuya gives an example of an experience walking through a piece exhibited in the Jesús Soto Museum, in Ciudad Bolívar:

The blog Talento Venezolano [es] also dedicates a space to talk about the artists and his most famous creations:

En 1967 creó la primera obra de la serie Penetrables, la cual consiste en instalaciones de tubos de plástico a través de los cuales el espectador se siente en un espacio mágico. Ambas obras que pudieron admirarse en el Museo de Arte Moderno, en el Grand Palais y el Centro Pompidou de París.

You Tube has also been a way for people to show their contact and emotions while interacting with Soto’s works. Children in particular, have had a special approach to the artistic experience inside the artist’s work, which has been shown and shared through these videos:

YouTube user elizaul1:

and YouTube user skaracas:

At the artist's webpage there are more galleries and information.