Stories from Quick Reads and Photography
Yes, now it's possible! Thanks to Lumera, after two years of hard work as a result of a project by Open Hardware, from Hackbo, Bogota's hackerspace. It's all about a small device that gets integrated into your reflex photographic camera, transforming it into a “smart camera”. Using Lumera, you can handle your camera from your cell phone, save your photos in the cloud, share them on social networks or edit, among other possibilities.
Lumera cuenta con conectividad Wi-Fi y Bluetooth LE, un display LED, doble puerto USB, batería integrada y varios botones para compartir y transferir archivos de manera rápida y sencilla. El accesorio se ancla a la cámara mediante la entrada de tornillo universal y por el puerto USB se conecta al de la cámara. Y se vinculará con su celular mediante una app que estará disponible para Android y iOS. Con esta app, podrán configurar la antena para conectarla directo a las cuentas de Dropbox y Google Drive, haciendo el respaldo digital mucho más sencillo.
Lumera has Wi-Fi connectivity and Bluetooth LE, a LED display, double USB port, integrated battery and several buttons for quickly and easily file sharing and transfering. The accessory is fixed to the camera through the universal bolt input and through the USB port gets connected to the camera. And it will be linked to your cell phone through an app that will be available for Android and iOS. With this app, you will be able to set up he antenna to connect it directly to your Dropbox and Google Drive accounts, thus making digital backup way much simpler.
LumeraLabs is a Colombian-origin hardware, software and application firm that participates in a campaign by Kickstarter to raise funds to launch Lumera. So far, the project has raised $41,903 out of the $90,000 they have set as a goal. There is still time until December 12 for those photographs or amateurs that want Lumera to reach its goal.
First thing in the morning, amidst the mist that populates the waves in the township of Guetaría, a typical fishing village in the shores of Guipuzkoa (Basque Country), we can discern the shape of Mount of San Antón, which as we can see on J. G. del Sol Cobos in this image from this group blog, resembles a mouse. All along the rough way up, we have one of the best sights of the Basque Country. There is even a lighthouse on top that integrates the landscape and makes us think of the traditional lifestyle in this area of Northern Iberian Peninsula.
This so well-known shape in Guetaría connects through a tombolo (branch that gets two parts together) with solid ground, and from different point of view will look as the tail of a rodent.
— J. G. del Sol Cobos (@jgdelsol) octubre 27, 2014
Image by of the Guetaria Mouse from Zarauz, Guipuzkoa, Spain.
After some research about the history of this natural park surrounded by the Cantabrian sea, we know that until the 16th century it was an island. Today, it's a famous spot in Guipuzkoa, where we can find plants and trees as native as exotic, besides a fantastic panoramic view of the coastline.
You can follow J. G. del Sol Cobos on Twitter.
Far West China interviewed Ryan Pyle, a Shanghai-based photographer who recently published a photographic documentary of Xinjiang titled “Chinese Turkestan”:
The news is so segregated and so focused on conflict areas that places like Xinjiang get left off the map. When the spotlight does turn there, it’s all about the violence that is happening there. It’s had its problems, sure, but there is so much more of a story to tell.
Before I first went to Xinjiang in 2001, I was sitting in a hostel in Beijing and people were saying “Don’t go to Xinjiang” and the Chinese and other foreigners were saying “Don’t go to Xinjiang.” But I went out there, and I had the most amazing time. It was such and eye-opening experience.
Blogger Passang Tshering, a high school teacher from Wangdue, Bhutan, wrote in his blog on 31 August, 2014, about an image of Lord Buddha's face formed out of natural rock located on the elephant shaped hill on which the famous Wangdue Dzong is built. He posted photos of the site and wrote:
I don't understand how this place is not recognized as one of the holy Buddhist sites, though some people already knew about it.
Tshering writes in a follow-up post that his post about the face of Buddha has become popular and many are flocking to the site:
It was on Sunday I posted the story and by Monday I started receiving pictures from people who went there to see for themselves. By Wednesday the site was crowded with people, and that evening authorities decided to put fence around it. Today when I went there I could see long queue of people across the river, and many breaking through the fence already. On the other side of the river cars and people are causing traffic jam on the national highway. This is more than the attention one can ever ask for.
A not-for-profit, self-financed group of artists calling themselves Kooperacija (“Cooperation”, Macedonian slang for a general store in small villages) hosted an exhibition titled “Melting Point: Art as Anti-Hegemonic Propaganda” [en, mk, with photos] in Skopje recently.
As reported [mk] by several news outlets that cover culture [mk], including Belgrade-based SEE Cult [sr], the event presented works by several individuals and groups of world renowned artists. Among them were pieces by Vitaly Komar, IRWIN, Santiago Sierra, DETEXT, as well as by some of the most vibrant artists from the region, like Nemanja Cvijanović, Ibro Hasanović, Igor Toševski, Kristina Gorovska & Jure Lavrin, Ines Efremova, Filip Jovanovski, O-P-A, and others.
The group of artists who put together the exhibition described it on their pages as:
Kooperacija is an initiative whose purpose is artistic activity outside the inert institutional frameworks, thus suggesting an exceptional approach to the creation and experience of contemporary art [...]
[Its] basic strategy is the occupation of temporarily free space dispersed throughout the urban landscape and exhibiting through a chain of blitzkrieg events. The desired effect is a constructive dialogue regarding the re-questioning of the critical positions in art and producing a favorable environment for a free exchange of ideas, experience and freedom of expression.
Markileide Oliveira‘s photos portray the daily life of the population of Xique-Xique, a small town located on the banks of the São Francisco River, in the backwoods of the state of Bahia – one of the most arid regions of Brazil. The “Velho Chico” (“Old Frank”), as the river is popularly known, is one of the most important rivers of the country, running through five states and providing much of the livelihood in areas that are unsuitable for agriculture.
Markileide says she is especially fond of the local children, whose universe remains untouched by technological development:
Em meio a modernidade do século XXI e o mundo virtual que abraçam as novas gerações, existe uma infância que sobrevive aos impactos das novas tecnologias. A inocência das crianças que nascem na beira do rio causa em mim um encantamento inexplicável, percebe-se que a felicidade vive no imaginário das crianças ribeirinhas, onde é possível sentir a boneca imaginária que vive nos sonhos dessa menina que posa para fotografia.Simplesmente linda.Longe das tecnologias elas aprendem a sentir, a viver e ser criança. E brincar…De boneca, de casinha, de se esconder, de salva latinha, de pegar piaba com o lençol da mãe e depois soltar para vê-las nadar e ganhar o rio, brincar de lavar as louças só para [dar] comidinhas aos peixes…… As nossas memórias parecem ganhar vida.É possível reviver as lembranças de quem viveu uma infância na beira do rio.
Amidst the modernity of the 21st century and the virtual world that embraces the new generations, there is a childhood that survives the impact of new technologies. The innocence of the riverbank children brings me an inexplicable enchantment; you realize that happiness lives in the imagination of local children, where you can feel the imaginary doll who lives in the dreams of this girl posing for the photo.
Away from technology, they learn to feel, to live and be a child. And to play…
With the doll, doll's house, hide and seek, using their mother's bed sheets to grab the little fish and then let it go to see it swimming and taking on the river, pretending to be washing dishes just to give tidbits to the fish…
… Our memories seem to come alive.
It's possible to relive the memories of those who spent their childhood by the riverbank.
More photos of Xique-Xique by Markileide can be seen on her Facebook page.
Indian photoblogger Anirban Saha points to a growing problem in India — plagiarism of intellectual property online. A number of his photos were used in a poster for a theatre festival, on a cover of a book, in an advertisement by the state government, in political banners, in magazines in Sri Lanka and Bangladesh, and a school publication without his consent.
He writes that Indian copyright laws protect intellectual property, but there is not much awareness:
We can spread the awareness of intellectual property rights, share contact details of lawyers who have already fought similar cases. We should be more aware of safeguarding our creations and spreading the awareness to create a better world. Read about Indian Copyright Act 1957. More than the artists who still now are a minority, it is you readers who can make a difference. You need to be aware and spread the awareness.
Anirban Saha also publishes a number of graphics to make the Indian copyright laws easier to understand.
Someone sure wanted people to know that he was thankful for Togolese President Faure Gnassingbé generosity. This week, a giant billboard was raised in Lomé, Togo that praised the president's action in favor of providing lunch for school children. The billboard seen below reads in french :” Thanks Daddy Faure for the children's school lunch“. Togolese citizens were taken aback by the message and its exuberance. They took to twitter to poke fun at the Billboard and create the hashtag #merciPapaFaure (Thank you Daddy Faure).
— Kelly Adediha (@KellyGeek) September 11, 2014
OK, how about some fun with the hashtag #mercipapaFaure ?
The photo above has been shared widely on twitter. Adzima provides some background on the state of the affair for the Togolese children at school.
Aleksandar Lambros, a Serbian-born photographer currently living and working in Monaco, has been snapping photos of tell-tale details of Belgrade's architectural history and collecting them on his blog.
While the city still retains snippets of Roman and Ottoman architecture, as parts of the city were under both Roman and Ottoman rule throughout history, most of what is today downtown Belgrade expanded during the 19th century, under the still very visible influence of the highly popular European Art Nouveau movement of the late 19th and early 20th century.
Lambros has captured some of the most interesting decorative details on Belgrade's older buildings in a set of 18 photographs that depict the quaint, unique mixture of Serbian culture with a well-known European architectural style. The full set, along with Lambros’ other work, is available on his blog.
Marcelino Torrecilla N. has started a series in Spanish called Stories from Gaza. The first installment by this United Arabe Emirates based Colombian was published on El Tiempo of Bogotá and tells a story of two Gulf News journalists in Abu Dhabi.
Taking pictures in the Gulf is challenging and even when trying to take pictures of women. But Palestinians are used to be photographed. The media are friends of the Palestinians and they know that. as Torrecilla translates:
In Gaza it is very different. With one of the highest concentrations of media in the world, the people of Gaza are used to being photographed. Not only this, but they welcome the eyes of the world. The Palestinians don't have an army to fight with. They have the rocks they throw at Israeli soldiers and they have their tears.
For more stories about the Gaza Strip in Spanish told by an eye witness, follow Marcelino Torrecilla's updates on Twitter.