Stories from Quick Reads and Film
“Too Black to Be French” is a documentary made by Isabelle Boni-Claverie, a French-Ivorian writer and filmmaker. Boni-Claverie's goal is to provide unexplored ideas and start a conversation on French society's inequalities and discrimination.
The documentary includes commentary and analyses from renowned Francophone thinkers such as Eric Fassin, Pap Ndiaye, Achille Mbembe, Patrick Simon and Eric Chalaye, along with testimonies from anonymous people of color. Some of the main arguments in the documentary are the conspicuous lack of minorities in the public media sphere, the lack of acknowledgment of colonial history in the fabric of the nation and the absence of quantitative data on discrimination at the workplace.
The documentary ignited a trending hashtag #TuSaisQueTesNoirEnFranceQuand (Translation: You know you are black in France when…) on Francophone social media.
Recovering Latin American historical memory and raising awareness of the atrocities committed in the past are crucial steps to take in order to ensure they are never repeated and that, instead, we continue to work towards strengthening our democracies. To that end, film can play a crucial role in compiling testimonies that constitute our collective memory, in this case the history of Peru.
Spanish filmmaker Luis Cintora unveiled his new documentary at the Latin American Film Festival and the Melbourne International Film Festival. It recounts the alleged crimes committed by the Peruvian army in their fight against the militant group Shining Path from 1983-84 in the Ayacucho region. The documentary “Wecome to Los Cabitos” features testimony from survivors, relatives of missing persons, academics and soldiers, who provide moving testimony about the alleged crimes against humanity perpetrated on the former military base.
— Jorge Weston (@JorgeMWeston) March 13, 2015
Documentary filmmaker reveals that young people in #Ayacucho are unaware of the era of terror.
It is not the first time that the Spanish filmmaker has focused on this dark period in Peru's history. In 2012 he made “The footprints of the Shining Path“, which explores the shadow cast by this violent organization on the country's collective memory, one which not surprisingly elicits conflicting emotions.
#sinperos a filomena sanchez desaparecida en huanta en 1988, la encontraron en el cuartel los cabitos cuando desenterraron los cadaveres
— jose edwin velasquez (@joseedwin69) March 1, 2015
Filomena Sanchez disappeared in Huanta in 1988; they found her body among the cadavers uncovered in the Los Cabitos barracks.
Otra mas de los PROTERRORISTAS, basándose en el informe de la CVR. http://t.co/Z50AMjgyZ6
— El Majin (@Majindice) March 13, 2015
One more from the PROTERRORISTS, based on the CVR [Truth and Reconciliation Commission] report.
‘Kacaan: The Untold Stories‘ is an upcoming hard-hitting documentary film that will objectively look at the background to the Somali conflict and its causes with special emphasis on events after 1969. It will closely look at the last functioning Somali government headed by late Mohammed Siad Barre; its inception to its downfall. Kacaan (Revolution in Somali) was the self-designated name of the 1969 bloodless coup d’état in Somalia. The documentary will contain key interviews with assorted people, ranging from former senior government officials to opposition (rebel) leaders to prominent members of Somalia’s pre-199 civil society — unseen footage and will revisit key subjects in order to develop a clearer picture; separate fact from fiction and attentively look at what went right, wrong and what we can learn from it.
Rough Studios, a small Swedish production company, has released the first episode of a documentary series about being transgender in Uganda:
We enter the life of Cleopatra Kambugu, a Ugandan transgender girl who was forced to flee to Kenya after being “outed” as homosexual in one of Uganda's major tabloids. It is a story about love, hate and being transgender, in one of the worlds most homophobic places.
Our goal with this film has always been to make a difference. Whether it is to change peoples hearts, their perception of a transgender person or the prejudice people have towards the LGBT community.
Uganda is a country which for long have been criticized for the discriminations against the LGBTI community.
Raúl Morales, blogging on El Blog de Don Ush, brings us a review of recently launched science fiction movie “Interstellar,” where director Christopher Nolan creates a non-encouraging future for the planet that can only be overcame if human beings defeat the prevailing ignorance. Although Morales is critic of box-office earnings and the action plot of the movie, he highlights that this is how the world will be if we go on just as we are:
Me gustan los mundos distópicos, en particular los que tratan de mostrar cómo sería el nuestro si seguimos como vamos. No lo dicen con claridad en la película, pero es obvio que hubo algún tipo de cataclismo que jodió a la Tierra, sin duda el calentamiento global. En segundo lugar, la película da un ejemplo claro de uno de los elementos más graves que nos orillan a ese nivel de autodestrucción: la ignorancia científica.
I like dystopian worlds, particularly those who try to show how would ours be if we go on as we are going. The movie isn't clear about it, but it's obvious there was some kind of natural catastrophe that screwed the Earth, undoubtedly the global warming. In second place, the film is a clear example of one of the most serious that pushes us to that level of self-destruction: scientific ignorance.
Ahí algunas de las razones por las que me gustó Interstellar. Un día los viajes espaciales a otros planetas podrían ser tan cotidianos como viajar en avión a otros continentes. Ese futuro solo será posible si no nos matamos entre nosotros y, por tanto, si superamos la ignorancia que conduce tantas de nuestras acciones.
There are some of the reasons why I liked Interstellar. Some day, travelling to other planets could be so frequent as taking a plane to other continents. That future will be possible only if we don't kill each other and, therefore, if we overcome the ignorance that leads so many of our actions.
According to Morales, Nolan uses science fiction as a lens to view different possible worlds.
You can follow Raúl Morales on Twitter.
“Mbeu Yosintha” was made to help farmers and rural communities cope with the effects of climate change, in particular the ever changing rain patterns in South East Africa. The film is a drama using local actors and was devised with Malawian writer Jonathan Mbuna following extensive research with various agricultural NGOs in Malawi.
The Art of Ama Ata Aidoo is a film by filmmaker Yaba Badoe:
The Art of Ama Ata Aidoo, explores the artistic contribution of one of Africa's foremost women writers, a trailblazer for an entire generation of exciting new talent.
This feature-length documentary charts Ama Ata Aidoo's creative journey in a life that spans 7 decades from colonial Ghana, through the tumultuous era of independence, to a more sober present day Africa where nurturing women's creative talent remains as hard as ever.
According to MTN, ” MTN FrontRow, is a premium entertainment network that brings you all the TV series and movies you love, even if you’re not an MTN subscriber – and you could get the first month FREE.You won’t even have to install a dish, buy a box or take out a bank loan. From only R179 a month, you can sign up to MTN FrontRow Club and play our content instantly at any time via your browser on your computer or mobile device, or on our Android app (an iOS version is coming soon!). You can even stream to your TV via your devices, of course.”
Indigenous people from the Munduruku ethnic group are fighting against the construction of the São Luiz do Tapajós dam in the state of Pará, Brazil. The dam will mean the flooding of 700,000 km2 in their homeland.
The Brazilian Federal Government plans to build up to five dams in the Tapajós River, where dozens of indigenous communities live. Together with São Luiz do Tapajós, the Jatobá dam was due to begin construction in 2015, but socio-environmental difficulties may have postponed that deadline to at least 2020. The two dams will cost together US$7 billion.
The Munduruku claim they have not been consulted about the project. For years, the Munduruku people from the Sawré Maybu community, which will be directly affected by the construction of São Luiz do Tapajós dam, have pressured the federal government to demarcate their lands. The demarcation would create a legal obstacle for the continuation of the dam's project.
A documentary about the issue was produced by videomaker Nayana Fernandez.
UPDATE 09/12/2014: Together with other organizations, Nayana Fernandez has launched a crowfunding campaign to help the Munduruku pressure the government to demarcate their territory, officialize two associations, build a website and translate and dub the documentary into their native language (most Mundurku people do not speak Portuguese). Supporters can contribute with a minimum of US$10.
Carlos G. de Juan, blogging on Hacia rutas de cambio positivo (Towards routes of positive change), offers a reflection through a short mute film about the story of many homeless people in big cities, who had a normal life until life struck them so hard they just lost heart:
Esta puede ser la historia de muchas personas que hoy malviven en las calles de las grandes ciudades. Personas que como todxs, fueron niñxs, fueron jóvenes estudiantes, fueron padres o madres, fueron nuestrxs compañerxs de trabajo, fueron nuestrxs amigxs pero algo sucedió en sus vidas que les hizo arrodillarse, abandonarse.
This can be the story of many people that today just live badly in the streets of big cities. People like everybody, who were children, young students, parents, they were our coworkers, our friends, but something happened on their lives that made them kneel down, just let go.
With the question if it was you?, Carlos G. de Juan invites us to sympathize with those who live in the streets, that is, to put ourselves in their place and wonder about the stories of life that made them get to that situation, as well as question ourselves about possible solutions to get them back to the social fabric.
The video was written and produced by Portugues filmmaker Nuno Rocha.
You can follow Carlos G. de Juan on Twitter.